If you want to find out more about these and other Japanese ephemeral prints, my old lecturer in Moku Hanga (woodcut printing). As a Monbusho (Japan Government) scholar, he studied Mokuhanga in Kyoto, Japan and teaches regularly at many venues on the Big Island. Some are more modern, while others are more traditional: Dave Bull Mokuhankan Studio. He has a degree in painting from the University of Washington in Seattle, studied graphic design at Seattle Art Institute and has many years of experience teaching design, drawing and painting on the college level. To register or for more information please contact Volcano Art Center at 80 or visit Glenn Yamanoha is an established painter and printmaker residing in Volcano. No experience is necessary for this workshop. Its endlessly fascinating and frustrating all at once because of the variables of humidity in block and paper as well as the ink application which is brushed on instead of rolled. The cost is $100/$90 for VAC Members plus a $35 fee, inclusive of supplies. Moku Hanga is a Japanese style of woodcut where the block and paper are printed while damp using water-based inks or pigments. Attendees will learn the fundamental techniques of Mokuhanga such as cutting with chisels, preparing blocks and paper, registration and printing with a baren (printing pad) in addition to design and aesthetic considerations. Instructor Yamanoha will introduce the basic processes. The major difference between this and other exhibitions of Japanese moku hanga (woodblock printing) is that the prints were all made as pattern and design books for the Japanese textile market. You can learn how to make your own classic image with Glenn Yamanoha in the “Mokuhanga: Traditional Japanese Woodblock Printmaking.” This workshop series will consist of four sessions at Volcano Art Center’s Niaulani Campus in Volcano Village on Saturdays, June 25, July 2, July 9, and July 16 from 10am – 12:30pm. Japanese woodblock printmaking, moku (wood) hanga (print), is distinguished from other printmaking techniques by the simplicity of material involved in its creation. Ink is applied with brushes and a simple printing pad is used to transfer the ink into the fibers of a dampened sheet of washi (Japanese hand-made paper). Due to the Coronovirus shutdown, please call for private appintments. Check out the slide show above for some examples These are regular hours. No toxic solvents or heavy metal press are used. Danas prints are showing at the Zier Gallery in Bridger, the Depot Gallery in Red Lodge, and various short term shows across Montana and Wyoming. This relief printing technique differs from western woodcut methods in that an image is carved onto a piece of wood and water-based sumi ink, watercolor and nori (rice paste) are used to create the print. The iconic image of the ‘Great Wave’ by Hokusai or Hiroshige’s landscapes are examples of “Mokuhanga”, the term used to describe traditional Japanese woodblock printmaking. There is a certain amount of subjectivity when choosing carving tools because everyone's hand is a little different so what's comfortable for one person might not be for another person.Mokuhanga: Traditional Japanese Woodblock Printmaking Josei Moku Hanga To: I think these are the best tools available for the price. My favorites are the versatile 6.0 mm "V" gouge and the big 10.5 mm "U" gouge for clearing large areas of wood or lino. Our brushes are the stiffer kind since these work best for moku hanga. Deer hair is very absorbent, while hog hair adds stiffness. For Surikomi Bake, the brush makers use either all deer hair, or deer hair added to hog hair. My favorites are the 6.0 mm and 9.0 mm "U" tools. A beautiful, economical handmade brush used by both student and professional printmakers. I prefer the "U" gouges over the "V" gouges. Power Grip : you can get a nice set of Power Grip tools for between $20-$50. One downside of this tool is that it's best used on linoleum and soft "rubber" carving blocks (like Speedy Carve and MOO Carve), not wood. I find the small "V" gouge indispensable. Speedball Linoleum Cutter: While some printmakers might consider this mearly a beginner's tool, I love it and use it all the time when carving linoleum. It includes a Speedball Linoleum Cutter, a couple Power Grip "U" gouges and numerous Josei Moku Hanga To tools of different sizes. My preferred set of tools is an assortment of different brands that balance cost and quality.
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